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REPEAT OF B:īars 366-367: A repeat of Bars 265-365, with small changes to the embellishment of Theme 4, and one additional bar (Bar 374).īars 584-715: Similar to Bars 1-124, with an additional left hand trill (Bar 630), small changes in rhythm and texture in Bar 684. Modulates to F sharp minor (Bars 317-325, making a sequence with Bars 308-316), then returns to C sharp minor until the last two bars (Bars 332-333), which are in E major.īars 334-365: Theme 6 (leggiero). All in E major, with some use of the ii half diminished seventh chord (Bars 352-353 and 356-357). Modulates to F sharp minor in Bars 277-284, with an imperfect cadence in Bars 280-281, followed by delicatissimo arpeggiation of the dominant chord.īars 285-308: Theme 4 restated. Begins in A major as before (Bars 285-298), then modulates to C sharp minor from Bar 299, with an imperfect cadence in Bars 305-306, followed by arpeggiation of the dominant chord.īars 309-333: Theme 5 (espressivo). Begins in C sharp minor. REPEAT OF A:īars 133-264: A repeat of Bars 1-132, with small rhythmic changes to Theme 1 TRIO (Bars 265-583): B:īars 265-284: Theme 4. Begins in A major (D flat, the previous keynote, now becomes C sharp by an enharmonic change – the third of A major). the G flat in Bar 69, E natural in Bar 97, etc.).īars 117-132: Closing theme – tonic and dominant seventh arpeggios in D flat major. Suspensions and appoggiaturas are used throughout this passage for added expressiveness (e.g. A diminished seventh chord (F – A flat – C flat – D) is used in Bar 87, 103, and 109-112. There is a dominant pedal in Bars 107-116, leading to a perfect cadence in Bars 116-117. Bars 25-48: Theme 1 restated. Begins in B flat minor as before (Bars 25-36), but then modulates to F minor (dominant) instead of D flat major in Bars 37-48.īars 49-64: Theme 2, all in D flat major, with some use of the flattened sixth degree (B double flat) as part of a dominant minor ninth chord, or part of a chromatic scale.īars 65-117: Theme 3 (con anima). Begins in G flat major, then modulates to A flat major (Bars 73-80, making a sequence with Bars 65-72) and D flat major.